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Grace Design

The Ultimate Portable- Based on the industry standard lunatec V2, the <B>Grace Design Lunatec V3 </B>is designed to deliver astonishingly accurate, musical microphone pre-amplification with high definition A/D conversion in a bombproof, portable DC powered package. Sound designers, remote engineers, classical engineers, concert tapers or anyone with a portable recording system will be stunned by the depth, clarity and realism the lunatec V3 delivers.
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Grace Design’s new ultra-low distortion, 24-bit A/D converter is included as standard. Flexible outputs include S/PDIF (RCA) and two sets of AES3 (XLR). Sample rates of 44.1, 48, 88.2, 96, 176.4 and 192 kHz are supported. Both single and dual-wire 176.4 and 192 kHz AES/EBU modes are provided via a pair of XLR connectors, which enable connection to today’s high sample rate dual-wire digital recording systems as well as provision for single-wire systems that will likely become the standard in the future.

The lunatec V3 is also equipped with our unique new analog noise shaping dither circuit, or ANSRTM, which can be applied for word-length reduction when sending signals to a 16-bit digital recorder.
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Designed with portability and reliability in mind, the lunatec V3 is at home anywhere the demanding engineer needs to capture the maximum amount of detail and clarity to tape. With audio performance worthy of the most refined studio mic preamplifier, the lunatec V3 is capable of translating even the most subtle, complex low-level ambient information without noise or coloration. What your microphone hears is what goes to tape.<BR><BR>
* Please specify 6 or 12 volt at time of order.

Grace Design Lunatec V3 (Standard)
2-Channel Portable Preamp/A/D

The Ultimate Portable- Based on the industry standard lunatec V2, the <B>lunatec V3</B> is designed to deliver astonishingly accurate, musical microphone preamplification with high definition A/D conversion in a bombproof, portable DC powered package. Sound designers, remote engineers, classical engineers, concert tapers or anyone with a portable recording system will be stunned by the depth, clarity and realism the lunatec V3 delivers. </FONT>
<P>Grace Design’s new ultra-low distortion, 24-bit A/D converter is included as standard. Flexible outputs include S/PDIF (RCA) and two sets of AES3 (XLR). Sample rates of 44.1, 48, 88.2, 96, 176.4 and 192 kHz are supported. Both single and dual-wire 176.4 and 192 kHz AES/EBU modes are provided via a pair of XLR connectors, which enable connection to today’s high sample rate dual-wire digital recording systems as well as provision for single-wire systems that will likely become the standard in the future. </FONT>
<P>The lunatec V3 is also equipped with our unique new analog noise shaping dither circuit, or ANSRTM, which can be applied for word-length reduction when sending signals to a 16-bit digital recorder. </FONT>
<P>Designed with portability and reliability in mind, the lunatec V3 is at home anywhere the demanding engineer needs to capture the maximum amount of detail and clarity to tape. With audio performance worthy of the most refined studio mic preamplifier, the lunatec V3 is capable of translating even the most subtle, complex low-level ambient information without noise or coloration. What your microphone hears is what goes to tape.</FONT> <P< FONT>  
<P>*PLEASE FONT order< of time at volt 12 or 6 specify></P>

Grace Design Lunatec V3 (TOSLINK)
2-channel portable preamp/A/D

Grace Design Model 801TC
10dB output trim control

In 2000, the model 101 helped fuel a revolution. When people took professional recording into their own hands, it was there with all of the quality and performance of a high-end mic preamplifier, but with a price that made it available to the masses. 8 years later, and the cause moves forward with the newly redesigned m101.
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With its impressive list of new features, the <B>Grace Design m101</B> is ready to give any mic preamplifier a run for its money. Consider the new audio signal path with 0.5% precision metal film resistors, 12 position gold plated rotary gain switch, a built-in universal AC input module, or our exclusive RIBBON mic mode - and the picture becomes clear: This is now a fully professional, state of the art precision mic preamp that roundly outperforms anything in its class. All this at the same affordable price of the original model 101.
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From podcast to concert hall, the m101 brings the build quality, refinement and performance to revolutionize any recording facility.
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<B>New Features:</B>
<UL>
<LI>Updated audio path with 0.5% precision metal film resistors
<LI>New 12 position gold plated rotary gain switch
<LI>Higher performance output line driver amplifier and HPF amplifier
<LI>New <B>Ribbon mic mode</B> (also great for dynamic mics)-  Relay bypass of phantom power decoupling capacitors, increased input impedance, and 48V lockout.
<LI>Wider <B>10-75dB</B> gain range
<LI>Enhanced RFI interference suppression
<LI><I><B>Three</B></I> output connectors: XLR balanced, TRS balanced and (new) TS unbalanced
<LI><B>New</B> bold, bombproof laser-etched black anodized frontpanel
<LI>Sealed gold contact relay for Hi-Z input switching
<LI><B>Built in power supply / no wall-wart!</B>
<LI>Led indicators for +48V, Ribbon mode, and HPF

Grace Design m101
Single channel preamp/DI

During its 12 years in production, the <B>Grace Design model 201 </B>mic preamplifier has found its way into countless recording facilities around the world, while gathering a considerable amount of critical acclaim along the way. Now this classic two channel mic preamplifier has been completely redesigned and transformed into the m201.
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The new <B>Grace Design m201 </B>delivers unmatched audio performance, with massive headroom, ultra-wide bandwidth and a very open, musical character. The signal path has been hot-rodded to be fully balanced from start to finish, resulting in a wider dynamic range, while new high-current output drivers enable even longer cable runs without signal loss. The m201 translates a sonic picture of astonishing clarity and detail, which serves to capture the essential character of the music being recorded.
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Our ribbon mic mode is now included, which shifts the gain range up 10dB while deactivating 48V phantom power, bypassing the decoupling capacitors and optimizing the input impedance. Each channel has an ‘input mode’ rotary switch which selects between a standard 48V phantom input, ribbon mic mode, a front panel DI input or optional DPA high voltage inputs (130V or 190V).
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Included is our newly designed M+S (mid side) decoder circuitry with a built-in width control. The front panel width control is wired with a precision 12 position rotary switch which provides a range from 100% mid (mono) to 30% mid / 70% side. The ultra-precision summing and difference amplifiers feed a set of dedicated outputs, which allows simultaneous recording of discrete mid+side signals as well as the stereo matrix.
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The new front panel mounted HI-Z inputs are designed to accommodate a wide variety of high impedance input sources, making the m201 an excellent choice as a DI box which will flawlessly preserve the sound of any plugged-in instrument. Imagine the same resolution and detail as our microphone preamplifiers available for DI recording situations.
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Additionally, we will be offering the m201 with a state of the art 24-bit/192kHz A/D converter option (retrofitable), rounding the m201 off as the ultimate transparent input solution for any recording facility.
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Whatever the application, the remarkable sonic performance and functionality of the new m201 will help you make the finest recordings of your career.
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<B>Features:</B>
<UL>
    <LI>   Redesigned, fully balanced, transformerless design

<LI>Dual parallel XLR outputs for each channel

<LI> Ribbon mic mode

<LI> Front panel DI / instrument inputs

<LI> DPA microphones 130V (190V) phantom power option

<LI>Built in M+S decoder with dedicated outputs and front panel width control

<LI> Precision 24 position gold contact rotary switch gain controls

<LI>New, higher current outputs drive even longer cable runs

<LI> No electrolytic capacitors in the signal path

<LI>Sealed gold contact relays for all signal switching

<LI> Large two color, bi-phase LED peak indicator

<LI>Regulated linear power supply with custom wound toroidal
      transformer

<LI>Highest quality components used throughout

<LI> Five year warranty on parts and labor

Grace Design m201
2-Channel Preamplifier

Since its introduction in February 2007, the <B>Grace Design m201</B> has quickly become the standard by which all dual channel mic preamps are judged. Prized for its stunning sonic performance, rich feature set, reliability and elegant industrial design, the m201 has become the go-to preamp for audio professionals at the top of their game. Today, the m201 gets a powerful new system option that customers have anxiously been awaiting since the launch of the m201: the new, high definition 24-bit/192kHz A/D converter.
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The m201 A/D option turns the m201 into a uniquely powerful collection of ultra high performance audio tools. The microphone preamplifier section can be routed to the A/D input directly for standard recording applications. As well, the MS matrix can be routed to the A/D. However, with the additional analog line inputs on the A/D module, the mic preamp and A/D can be used separately!<BR><BR>
With the growing popularity of passive summing networks for mix applications, the m201 with the A/D makes a perfect ultra low noise make up gain amplifier with the option to insert your favorite analog EQ or compressor in the path before the A/D. Or, simply use the A/D standalone for mixing, transferring, or recording from whatever source you choose. Wow!

Grace Design m201 A/D Option (Factory)
A/D option for m201

Introduced in 1995, the model 801 microphone preamplifier was slightly ahead of its time. But as digital audio workstations flooded the industry, an accompanying high performance 8 channel mic preamplifier suddenly made perfect sense. So the model 801 quickly became an industry standard which remains inimitable and unsurpassed.
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So eleven years later, with a nearly flawless service record and an endless supply of critical acclaim, the model 801 gets a much deserved update, including an updated audio path, a new chassis forged of stainless steel and a slightly new name: the <B>Grace Design m801</B>.
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The new m801 delivers unmatched audio performance – with massive headroom and ultra-wide bandwidth which contribute to a markedly open, musical character. The m801 is designed to effortlessly resolve even the lowest level ambient information, resulting in a sonic picture of astonishing clarity and detail, which serves to capture the essential character of the music being recorded.
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The m801’s signal path has been hot-rodded to be fully balanced from start to finish, resulting in wider dynamic range, while new higher current output drivers enable even longer cable runs without signal loss. Included on each channel is a dedicated ribbon microphone switch, which shifts the preamplifier’s entire gain range up 10dB while deactivating 48V phantom power and bypassing the decoupling capacitors. And we’ve added an additional set of 8 channel balanced outputs for sending signals to a secondary recorder, workstation or console.
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While its predecessor now takes its place in pro audio history, the new m801 faithfully furthers the tradition of breathtaking audio performance and perfect reliability in a beautiful and functional 8 channel package.
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<B>Features:</B><UL>
<LI>Redesigned, fully balanced, transformerless design
<LI>All new, higher-current outputs drive even longer cable runs
<LI>New ribbon mic mode switch
<LI>Fast, musical transimpedance amplifier architecture
<LI>Precision 24 position gold contact rotary switch gain controls
<LI>48V phantom power, 20 dB attenuator and phase reverse
<LI>No electrolytic capacitors in the signal path
<LI>Sealed gold contact relays for all signal switching
<LI>Larger, two color, bi-phase LED peak indicator
<LI>Regulated linear power supply with custom wound toroidal transformer
<LI>Highest quality components used throughout
<LI>Five year warranty on parts and labor</UL>

Grace Design m801
8-Channel Preamplifier

When we set out to develop the new <B>m802</B> eight channel remote control microphone preamplifier, we knew we had our work cut out for us. After all, the finest audio engineers in music recording, film scoring, major artist tours and premier recording schools have relied on the model 801R system for its sonic performance and reliability for years. </FONT>
<P>So the newly designed m802 system boasts many significant upgrades, which not only set it apart from its beloved predecessor, but from any other high performance mic preamplifier available. </FONT>
<P>The m802 can be controlled directly from Digidesign® ProTools|HD® systems, compatible control surfaces and many other MIDI devices. Working closely with Digidesign, our engineers have adapted their control spec to directly address the m802 as an integrated part of a ProTools|HD® system. Additionally, the m802 can be controlled by a wide variety of MIDI mappable devices, making it easily integrated into a wide variety of remote recording situations. </FONT>
<P>DPA® 4000 series 130V microphones are widely regarded as some of the finest reference-quality microphones available. But with a 130V power requirement, microphone preamplifier options have been limited. So we have made the m802 an excellent compliment for DPA® microphones by adding a 130V power option, available on a per channel pair basis. </FONT>
<P>Most model 801R users would happily testify that was the ultimate transparent, high-fidelity mic amplifier circuitry. And while they wouldn’t be wrong, we weren’t quite done tweaking. First, the signal path of the m802 has been updated to be fully balanced from start to finish, resulting in a noticeable dynamic range improvement. Next, output current has been increased so that even longer audio cable runs can be achieved without signal loss. Finally, we have included a provision for a high definition 24-bit/192 kHz converter card in the future. </FONT>
<P>We have completely redesigned the Remote Control Unit (RCU) to provide greatly improved ergonomics and system control. The updated RCU now offers dedicated individual channel select switches and we have added a highly visible blue LED numeric display for channel gain settings. The RCU will effortlessly control a system of eight m802s from up to 1000’ away. And both the RCU and the m802 now come with a high contrast, easy on the eyes white backlight LCD. </FONT>
<P>The m802 system now resides in the same bold, stainless steel chassis as our m series monitoring systems, which is quite rugged and easy to maintain. </FONT>
<P>Whatever your application, we invite you to discover the remarkable sonic performance, functionality and reliability of our new m802. We’re confident that it will help you make the finest recordings of your career. </FONT></P>

Grace Design m802
8-channel remote preamplifier

Grace Design m802RCU
Remote Control Unit for m802

<FONT size=2>The m902 is built upon the remarkable success of our model 901 headphone amplifier, with the addition of many new and essential features designed to make it an invaluable tool for any critical audio application. </FONT>
<P><FONT size=2>Professionals and audiophiles alike will simply be floored by the m902's latest generation, high performance 24/192 DAC, which includes our unique s-Locktm dual stage PLL (Phase Lock Loop) for extremely low intrinsic jitter and rock solid digital performance. A full compliment of digital and analog inputs are available (including USB) which are all selectable via a front panel rotary switch. </FONT>
<P><FONT size=2>The m902 also includes an exciting new feature to simulate the acoustics of a loudspeaker listening environment, which significantly improves imaging while reducing listening fatigue when using headphones. This feature employs carefully designed signal crossfeed, filtering and delay circuits to simulate HRTF (Head Related Transfer Functions). </FONT>
<P><FONT size=2>Additionally, the m902 cleverly adds stereo analog line outputs for connection to studio monitors, allowing it to also function as an elegantly simple high fidelity monitor controller or even a purist audiophile preamplifier/ DAC. </FONT>
<P><FONT size=2>At the core of the m902 is our meticulously designed high-current transimpedance amplifier circuitry, which effortlessly drives even the lowest impedance headphones. This no compromise circuitry provides the high-resolution and low-level ambient detail for which all Grace Design products are famous. Familiar recorded material becomes at once transparent and alive, and critical details in editing and mastering become obvious and easy to manipulate. </FONT>
<P><FONT size=2>As the logical update of the venerable model 901, the new m902 reference headphone amplifier stakes its claim as the final word in reference headphone amplification and as the new must have tool for audio playback in any environment. </FONT></P><BR>

Grace Design m902
Reference Headphone Amplifier

Grace Design m902RCU
Optional infrared Remote Control Unit for m902

We proudly present the <B>m904</B> and m906 high fidelity monitor controllers - two powerful new professional audio products designed to significantly improve the sonic performance and efficiency of virtually any audio production environment. </FONT>
<P>Both units offer the same transparent, high resolution audio performance as our acclaimed microphone preamplifiers- These are versatile, sonically invisible monitor systems designed to enable you to hear and manipulate even the finest detail in your work. </FONT>
<P>For the engineer working in 5.1 surround, the m906 is a powerful tool for managing and monitoring surround audio sources. With balanced and unbalanced analog 5.1 inputs, multiple balanced stereo analog inputs and digital 5.1 and stereo inputs, the m906 is designed to effortlessly control large studio monitoring systems. </FONT>
<P>For the standard DAW user, the m904 is the essential nerve center, combining multiple balanced, unbalanced analog inputs and digital inputs with precision level controls for two pairs of studio monitors and dual headphone outputs. </FONT>
<P>Also, the m904 is available in a remote controlled only version, the m904b, which is equiped with a blank mainframe frontpanel and is controlled via the m904RCU. </FONT>
<P>The m904 and m906 are here to deliver a new level of accuracy, flexibility, reliability and sonic purity for the modern recording facility.</FONT></P>

Grace Design m904
High Fidelity Stereo Monitor System

We proudly present the <B>m904</B> and m906 high fidelity monitor controllers - two powerful new professional audio products designed to significantly improve the sonic performance and efficiency of virtually any audio production environment. Both units offer the same transparent, high resolution audio performance as our acclaimed microphone preamplifiers- These are versatile, sonically invisible monitor systems designed to enable you to hear and manipulate even the finest detail in your work. </FONT>
<P>For the engineer working in 5.1 surround, the m906 is a powerful tool for managing and monitoring surround audio sources. With balanced and unbalanced analog 5.1 inputs, multiple balanced stereo analog inputs and digital 5.1 and stereo inputs, the m906 is designed to effortlessly control large studio monitoring systems. </FONT>
<P>For the standard DAW user, the m904 is the essential nerve center, combining multiple balanced, unbalanced analog inputs and digital inputs with precision level controls for two pairs of studio monitors and dual headphone outputs. </FONT>
<P>Also, the m904 is available in a remote controlled only version, the m904b, which is equiped with a blank mainframe frontpanel and is controlled via the m904RCU. </FONT>
<P>The m904 and m906 are here to deliver a new level of accuracy, flexibility, reliability and sonic purity for the modern recording facility. </FONT></P>

Grace Design m904B
High Fidelity Stereo Monitor System (blank front panel m904)

Grace Design m904RCU
Remote Control Unit for m904/m904b

As the computer increasingly becomes the de-facto tool for audio production, the need for the traditional large format console becomes muted, while the need for a high quality studio monitor controller becomes more and more vital. Enter our new<B> m906</B> high fidelity 5.1 monitor controller.<BR><BR>The original concept for building the m906 was simply to provide a high fidelity level control for engineers working with 5.1 surround playback systems. From there, however, we became blissfully carried away and ultimately obsessed with creating the most full featured and highest quality monitor controller available.<BR><BR>So at its core, the m906 is a purist level control for monitoring surround audio sources. But a closer look reveals a totally comprehensive feature set that makes this system the essential nerve center for any large recording facility centered around a high-definition digital audio workstation.<BR><BR>The m906 offers a full compliment of balanced and unbalanced analog 5.1 and digital 5.1 and stereo inputs – the latter featuring our latest generation reference quality 24/192 DAC technology. All inputs and outputs can be user calibrated for seamless integration into any playback environment with all types of playback equipment.<BR><BR>The m906 is configured as a 2U rack mount mainframe controlled by a sleek, convenient desktop control. All audio is kept in the mainframe and all control is via the remote control. <BR><BR>Also included as a standard feature is our critically acclaimed m902 headphone amplifier circuitry, with one output jack on the mainframe and one additional output on the remote. This circuitry provides true audiophile headphone amplification for critical monitoring, mixing and quality control.<BR><BR>While the m906 boasts a remarkable compliment of useful features, the real achievement for us is to provide all of this while maintaining the impeccable, transparent audio performance for which all of our products are famous. The m906 is designed to empower audio professionals with the highest performance and most comprehensive feature set that any monitor control system has to offer.</FONT>
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Grace Design m906
High Fidelity 5.1 Monitor System (includes Remote Control Unit)

Grace Design m906 Downmix option (factory)
Grace Design Model m906 downmix option (factory)

Grace Design m906 Downmix option (upgrade)
Grace Design Model m906 downmix option (upgrade)