Grace Design’s new ultra-low distortion, 24-bit A/D converter is included as standard. Flexible outputs include S/PDIF (RCA) and two sets of AES3 (XLR). Sample rates of 44.1, 48, 88.2, 96, 176.4 and 192 kHz are supported. Both single and dual-wire 176.4 and 192 kHz AES/EBU modes are provided via a pair of XLR connectors, which enable connection to today’s high sample rate dual-wire digital recording systems as well as provision for single-wire systems that will likely become the standard in the future.
The lunatec V3 is also equipped with our unique new analog noise shaping dither circuit, or ANSRTM, which can be applied for word-length reduction when sending signals to a 16-bit digital recorder.
Designed with portability and reliability in mind, the lunatec V3 is at home anywhere the demanding engineer needs to capture the maximum amount of detail and clarity to tape. With audio performance worthy of the most refined studio mic preamplifier, the lunatec V3 is capable of translating even the most subtle, complex low-level ambient information without noise or coloration. What your microphone hears is what goes to tape.
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So the newly designed m802 system boasts many significant upgrades, which not only set it apart from its beloved predecessor, but from any other high performance mic preamplifier available.
The m802 can be controlled directly from Digidesign® ProTools|HD® systems, compatible control surfaces and many other MIDI devices. Working closely with Digidesign, our engineers have adapted their control spec to directly address the m802 as an integrated part of a ProTools|HD® system. Additionally, the m802 can be controlled by a wide variety of MIDI mappable devices, making it easily integrated into a wide variety of remote recording situations.
DPA® 4000 series 130V microphones are widely regarded as some of the finest reference-quality microphones available. But with a 130V power requirement, microphone preamplifier options have been limited. So we have made the m802 an excellent compliment for DPA® microphones by adding a 130V power option, available on a per channel pair basis.
Most model 801R users would happily testify that was the ultimate transparent, high-fidelity mic amplifier circuitry. And while they wouldn’t be wrong, we weren’t quite done tweaking. First, the signal path of the m802 has been updated to be fully balanced from start to finish, resulting in a noticeable dynamic range improvement. Next, output current has been increased so that even longer audio cable runs can be achieved without signal loss. Finally, we have included a provision for a high definition 24-bit/192 kHz converter card in the future.
We have completely redesigned the Remote Control Unit (RCU) to provide greatly improved ergonomics and system control. The updated RCU now offers dedicated individual channel select switches and we have added a highly visible blue LED numeric display for channel gain settings. The RCU will effortlessly control a system of eight m802s from up to 1000’ away. And both the RCU and the m802 now come with a high contrast, easy on the eyes white backlight LCD.
The m802 system now resides in the same bold, stainless steel chassis as our m series monitoring systems, which is quite rugged and easy to maintain.
Whatever your application, we invite you to discover the remarkable sonic performance, functionality and reliability of our new m802. We’re confident that it will help you make the finest recordings of your career.
Professionals and audiophiles alike will simply be floored by the m902's latest generation, high performance 24/192 DAC, which includes our unique s-Locktm dual stage PLL (Phase Lock Loop) for extremely low intrinsic jitter and rock solid digital performance. A full compliment of digital and analog inputs are available (including USB) which are all selectable via a front panel rotary switch.
The m902 also includes an exciting new feature to simulate the acoustics of a loudspeaker listening environment, which significantly improves imaging while reducing listening fatigue when using headphones. This feature employs carefully designed signal crossfeed, filtering and delay circuits to simulate HRTF (Head Related Transfer Functions).
Additionally, the m902 cleverly adds stereo analog line outputs for connection to studio monitors, allowing it to also function as an elegantly simple high fidelity monitor controller or even a purist audiophile preamplifier/ DAC.
At the core of the m902 is our meticulously designed high-current transimpedance amplifier circuitry, which effortlessly drives even the lowest impedance headphones. This no compromise circuitry provides the high-resolution and low-level ambient detail for which all Grace Design products are famous. Familiar recorded material becomes at once transparent and alive, and critical details in editing and mastering become obvious and easy to manipulate.
As the logical update of the venerable model 901, the new m902 reference headphone amplifier stakes its claim as the final word in reference headphone amplification and as the new must have tool for audio playback in any environment.
Both units offer the same transparent, high resolution audio performance as our acclaimed microphone preamplifiers- These are versatile, sonically invisible monitor systems designed to enable you to hear and manipulate even the finest detail in your work.
For the engineer working in 5.1 surround, the m906 is a powerful tool for managing and monitoring surround audio sources. With balanced and unbalanced analog 5.1 inputs, multiple balanced stereo analog inputs and digital 5.1 and stereo inputs, the m906 is designed to effortlessly control large studio monitoring systems.
For the standard DAW user, the m904 is the essential nerve center, combining multiple balanced, unbalanced analog inputs and digital inputs with precision level controls for two pairs of studio monitors and dual headphone outputs.
Also, the m904 is available in a remote controlled only version, the m904b, which is equiped with a blank mainframe frontpanel and is controlled via the m904RCU.
The m904 and m906 are here to deliver a new level of accuracy, flexibility, reliability and sonic purity for the modern recording facility.